Tokyo

Group Show

2017/9/16–10/28

Participating artists: Koji Enokura, Kishio Suga, Michio Fukuoka, Shuji Mukai, Masunobu Yoshimura

WORKS

Artist
福岡道雄 / Michio Fukuoka
Title
Nothing to Do: Bitter Gourd Flower
Year
1999
Size
92.0 x 65.0 cm
Material
Wood panel, FRP
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Artist
彦坂尚嘉 / Naoyoshi Hikosaka
Title
P.W.P.225 - Double Cricle
Year
1995
Size
74 x 118 x 15 cm
Material
Acrylic, wood
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Artist
向井 修二 / Shuji Mukai
Title
Unknown
Year
1965
Size
33.7 x 24.4 cm
Material
Oil on canvas
Artist
吉村益信 / Masunobu Yoshimura
Title
Neon Arabesque
Year
1969
Size
122.5 x 50.5 x 50.5 cm
Material
Acrylic, neon, steel plate
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Artist
吉村益信 / Masunobu Yoshimura
Title
Neon Cloud No.101
Year
1967
Size
Left: 43.5 x 39.5 x 15 cm Right: 43.5 x 46.5 x 15 cm
Material
Fluorescent paint, wood
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Koji Enokura

Koji Enokura was born in Tokyo in 1942 and obtained a MFA from the Oil Painting Department of Tokyo University of the Arts in 1968.

At the age of 27, Enokura presented an installation work at the “10th Tokyo Biennale ”, which the influential critic Yusuke Nakahara served as the commissioner. Other participating artists of this Biennale included Richard Serra, Christo, Carl Andre, Jiro Takamatsu and Susumu Koshimizu.

The following year, he received the Scholarship Award at the 7th Paris Youth Biennale. After staying in Paris in 1973-1974 he held solo exhibitions at Neue Galerie der Stadt Aachen in West Germany and the National Museum of Art in Osaka, which earned him much international acclaim.

In 1978 and 1980 he participated in the “Venice Biennale.” Although Enokura passed away in 1995 at the age of 52, his work and ideas has continued to draw a great deal of attention and several large-scale retrospectives were held both in Japan and abroad.

Enokura’s works are known for the distinctive techniques used to produce them as well as their commanding presence. Some of his most well known pieces include wall-sized murals slathered with waste oil and his “stain” works, which consist of waste oil and acrylic paint on wooden panels affixed to cotton cloth. By focusing consistently on the relationships between objects and the sense of materiality that can be found in how the human body relates to these objects, Enokura’s work represents an attempt to deviate from the framework of painting.

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Kishio Suga

Kishio Suga was born in 1944, Iwate prefecture, Japan. Suga graduated from the Painting Department of Tama Art University in 1968. From the late 1960s onwards, he has been active as one of the central figures of Mono-ha, a sculptural and installation based art movement that emerged in the late 1960s. Through his practice of assembling natural, industrial or found materials into a room size installation piece, he intends to examine the relation between objects, space, and human perception in tandem to the surrounding environment. Suga’s solo exhibitions have been organized by numerous museums in Japan including Kishio Suga Hiroshima City Museum of Contemporary Art, 1997; Stance, Yokohama City Museum, 1999; Uncertain Void: Installation by Kishio Suga, Iwate Museum of Art, 2005. His most recent solo show Situated Latency was held at the Contemporary Art Museum, Tokyo in 2015.

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