Beijing

The Sound of Soratani

2023/7/1–8/19

Tokyo Gallery +BTAP is delighted to announce a new double exhibition ‘The Sound of Soratani’ by artists Isao Sugiyama and Zhu Jianzhong, set to be held at our Beijing space from July 1, 2023 through August 19, 2023

The term ‘Soratani’ often refers to a place where sages reside in seclusion. In the works of Zhu Jianzhong and Isao Sugiyama, a typical Eastern aesthetic ‘emptiness’ is presented, thus creating a sense of divinity and reverence for nature. When humans no longer dominate over nature, it becomes vast and serene, while humans appear relatively insignificant. Although these artists make use of different artistic mediums, they both go to great lengths to downplay the emotional factors which drive humans, for instance by depicting uninhabited realms teetering on the cusp of space and time. The spaces thus revealed in their works are akin to the dwellings of deities. As by coincidence, both artists place themselves outside of their works. Despite being the subjects of their creations, they are not guided by excessive obsession. Instead, the ‘ego’ is concealed, thus giving way to a version of nature imbued with divinity.

This exhibition will showcase over thirty of Zhu Jianzhong and Isao Sugiyama’s work. Within the quiescent, boundless worlds in his canvases, Zhu Jianzhong often depicts a lone tree or person, or an indistinct universe which springs forth from the spaces left blank. This gives rise to a world view redolent of the Chinese tradition of Taoism, in which one may inquire: To what end this notion of ‘human’? To what end this notion of ‘spirits’?

Sugiyama’s sculptures are constructed out of marble and wood. They feature house-like forms set against a backdrop of nature made out of raw, unprocessed marble that suggest the trappings and workings of civilization. The contrast between the wooden house that will soon rot away and disappear and the rocky outcrop exposed to a slow, gradual process of erosion are metaphors that evoke the different temporal rhythms that play out in nature and civilization. Gazing down upon the landscapes depicted in these works, the artist – or the viewer – experiences something akin to a religious vision that attempts to see the world in its totality. Sugiyama’s works have a gently introspective feel, grounded in a devotion for gods and nature.

This exhibition opens on July 1, 2023, and you are cordially invited to visit the exhibition.

WORKS

Title
SANTUARIO 167°
Year
2000
Material
Marble & wood
Size
48.5 x 68 x 50 cm
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Title
SANTUARIO 124°
Year
1997
Material
Marble
Size
51.5 x 30 x 25 cm
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Title
SANTUARIO 322°
Year
2011
Material
Marble
Size
83 x 15 x 15 cm
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Title
SANTUARIO 347°
Year
2013
Material
Marble
Size
40 x 35 x 18 cm
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Title
SANTUARIO 315°
Year
2010
Material
Marble
Size
33 x 19 x 15 cm
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Title
SANTUARIO 474°
Year
2021
Material
Marble(Carrara black, white)
Size
58 x 29 x 11 cm
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Title
SANTUARIO 469°
Year
2021
Material
Marble & wood
Size
34 x 17 x 17 cm
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Title
SANTUARIO 466°
Year
2020
Material
Marble
Size
44 x 14 x 8.5 cm
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Title
SANTUARIO 457°
Year
2020
Material
Marble
Size
118 x 32 x 21 cm
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Title
SANTUARIO 377°
Year
2014
Material
Marble
Size
23 x 21 x 15 cm
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Title
三界
Year
2021
Material
Ink, acrylic on paper
Size
193 x 398 cm
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Title
晦明
Year
2020
Material
Ink on paper
Size
250 x 192 cm
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Title
混沌
Year
2020
Material
Ink on paper
Size
193 x 399 cm
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Title
西南客
Year
2023
Material
Ink on paper
Size
47 x 105 cm
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Isao Sugiyama

杉山功は1977年に東京造形大学彫刻科を卒業後、同大学研究室へ進学。1983年、卒業と同時にイタリアへと渡り、カラーラ美術アカデミーに入学します。卒業後はイタリアに留まり、ミラノ、カラーラを拠点に制作活動を行ってきました。これまで主にヨーロッパで個展を開催し、世界各地のグループ展やアートフェアで作品を発表しています。
杉山の彫刻は大理石と木から成ります。未加工の大理石を自然に見立て、そこに家のフォルムを配置することで、文明の存在をほのめかすのです。ゆっくりと風化していく石と、早々と朽ちて消える木の対比によって、自然の時間と文明の時間の異なるリズムが喚起されます。このような光景を俯瞰する作家あるいは我々の視点は、世界の全体を捉えようとする宗教的なビジョンとも言えるのです。

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Zhu Jian Zhong

Zhu Jianzhong was born in in 1954 in Nantong, Jiangsu, China. Zhu graduated from the Nanjing University of Arts, focusing on traditional Chinese painting, in 1982

Zhu is best known for his ink paintings reflecting blue and green hues. His works are characterized as subtle, unobtrusive and dignified.

Zhu has been awarded the Nanjing Chinese Painting Exhibition Prize, the Four Seasons Fine Arts Exhibition Prize. His works are included in the collections of the National Art Museum of China (NAMOC) and the Jiangsu Art Museum.

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